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Producer Lang woke
up Friday morning to find that something
was missing....the ticket
booths. Others had known for days, but
Lang said that Friday morning
was his first inkling that
Woodstock would never collect a
single dollar at the gate. "
Tickets were being handled over
in (Roberts') office," Lang said.
"I just assumed that they
were handling the booths, but they were
never put in place." Van
Loan, the cigar-smoking owner of Ken's
Garage, had been hired two days
before the festival to tow about
two dozen ticket booths into
position. "All we ever got to move
was two or three," Van Loan
recalled. "Each one we moved took
longer and longer. There were
too many people and cars and
abandoned (vacant) tents
blocking the way."
Abbie Hoffman was the head of
the Yippies - the Youth
International Party, the
irreverent left-wing organization founded
by Hoffman, Jerry Rubin, Paul
Krassner and Woodstock's Ed
Sanders. Hoffman convinced the
festival's producers to donate
$10,000 to the Yippies - mainly
by threatening to disrupt the
proceedings. The political
pranksters wanted the money to fund
various community projects,
including New York City storefronts
they rented to shelter runaways
and defense funds they established
for the "politically oppressed."
Along with the Hog Farmers and
other left-leaning groups, the
Yippies set up "Movement
City," their festival- within-a-festival,
about a quarter-mile from the
stage. Days before the festival,
Hoffman and his lieutenant,
Krassner, mimeographed thousands
of flyers urging festival-goers
not to pay. Of course, that issue
became moot as soon as the fence
went down. Krassner would
later say that all attempts to
politicize the three days of peace and
love had evaporated. Krassner
also recalled bringing a brand new
white-fringed leather jacket to
Woodstock. It was stolen from the
Movement City tent.
Three school buses rolled up to
Yasgur's farm late Friday morning
and parked near Ventures
headquarters, by the playground and
the Freak-Out Tent on West Shore
Road. Inside were more than
100 New York City police
officers hand-picked by concert
management for their street
smarts and relaxed attitudes. In the
days before the concert, the
city police department had told its
members that it would not
sanction Woodstock work. The cops
had been promised $50 a day. But
when the officers arrived in
Bethel, a more stringent warning
awaited them. "The message was
something to the effect of, 'If
you participate in this, you may be
subject to departmental
censure,'" Feldman said. "So they
stretched their legs, got back
in the bus and went back to New
York City."
Many stayed to work under
assumed names. But they demanded
that Woodstock Ventures increase
their pay to $90 a day. Ventures
paid it. "We had eight to
nine guys on the payroll as Mickey
Mouse and names like this,"
said Arthur Schubert, a waiter at the
Concord Hotel and one of the
directors of the security force.
Melanie Safka was supposed to
sing, so she and her mother got in
her mom's 1968 burgundy Pontiac
Bonneville and headed upstate.
When they turned onto Route 17,
they noticed lots of traffic.
When Melanie called the
festival's producers, they said, yes, the
traffic was headed for Bethel,
which was getting crowded, so she'd
better get to a hotel where they
would take her by helicopter to the
festival site. At that hotel,
the name and location of which Melanie
doesn't remember, she saw a slew
of TV cameras focusing on Janis
Joplin and her bottle of
Southern Comfort. "And me?" says
Melanie. "I was just a fleckling."
State police investigator Fred
W. Cannock, 34, was supposed to
direct traffic at the
intersection of Route 55 and Route 17B in
White Lake. But parked cars
didn't need much direction. "I just
stood there and watched the
fiasco," Cannock said. " Route 17B
was jammed for roughly 9 miles,
all the way back to Monticello
and beyond."
Woodstock organizers blamed
state police for the monstrous
traffic jam. The troopers had
refused to enact the festival's traffic
plan. "I know the way cops
think, and I think they figured that if
they had done that, they would
acquire responsibility for whatever
might happen," Goldstein
said. "Of course, they were not
necessarily in favor of these
kinds of events, and they wanted it to
turn to (chaos). They wanted it
to be a disaster."
Woodstock organizers had meant
for cars to pull off the highway
and be directed by the NYPD cops
to parking in fields off Route
17B. On Tuesday, Goldstein had
pleaded for the state police to
help, at least by starting the
procedure. The state police brass
added additional troopers to
direct traffic. Local civil defense
officials refused to plan for a
disaster; their office was closed
Friday afternoon as the traffic
rolled in. So the traffic backed up
for miles while the police
looked on. "Suddenly, we were in a
logistic nightmare,"
Goldstein said. That didn't mean that
individual officers didn't have
sympathy for the floundering
festival-goers.
"I thought they were hippie
scum - but you couldn't help but
really feel sorry for the
kids," Cannock said. "They got sucked
into this carte blanche. Nobody
said anything about reservations,
tickets. They just came. You
couldn't believe it. Advance sales
paid, nobody else paid a nickel.
They paid with pain, hunger and
exposure, or whatever."
Wadleigh bought out rooms in a
local motel, the Silver Spur, for
the film crew and equipment. The
crew naturally nicknamed the
place "the Silver
Sperm." Then the crowds came. They left cars in
the middle of the road. The crew
and their cameras were stuck.
They ended up sleeping in the
field, under the stage, wherever.
Woodstock's security force was
briefed late that morning by none
other than Babbs, the Prankster
leader. Babbs was one of the
more experienced acid trippers.
"I guess they had me do it because
I was in the Marines,"
Babbs said. "I told them that if someone
was hassling someone else, then
they should help the person who
was in trouble. Keep an eye out
for people who need help. Other
than that, it was nobody else's
business what they did. "They
asked about drugs, and I told
them not to worry about it. I said,
'There are going to be so many
drugs around, you're not going to
be able to keep track of any of it.'"
At about noon, Babbs and Wavy
Gravy watched as a dozen guys
in orange jackets started
walking up the rise. They carried change
boxes and were nearing the fence
border. "They said, 'We're the
ticket-takers, and now we want
everyone to walk out and come
back in,'" Babbs said.
"I said, 'Man, you gotta be kidding me.
There are 200,000 people in
there. So the head security guy says to
me, 'There's no way we're going
to be able to get these tickets.
What do you want to do?' They
had, like, a double-wide section of
fence that was open for the
gate. So Wavy and I said the only
thing to do is take down the
fence. So, we - Wavy and I - unrolled
the fence about 100 feet, and
the people all came pouring in."
Schubert said his security
forces had no choice. "How can you to
tell 200,000 to 400,000 people,
'Go home, it's over?" he said. "It
would have been the riot of the
century." But the crowd closer to
the stage couldn't see the
impromptu ceremony of taking down the
gate. From there, it looked like
the mob was taking over. "My
most vivid memory was that there
was this chain-link, Cyclone
fence that went all the way
around," said Bert Feldman, who was
working security on the hill
near the Hog Farm base. " I had the
uncanny feeling that there were
500 million people there.
Suddenly, the fence was no more.
Trampled into the mud. It
disappeared like magic."
Lang said he never exactly decided
Woodstock would become a free
show. But he did decide to make
the announcement. " It was
kind of like stating the obvious," he
said.
Complaints were coming in to
Gov. Nelson Rockefeller in Albany.
Rosenman and Roberts hinted that
a declaration of a disaster area
in Bethel might be welcomed, to
ease the crowd's suffering and
because it would limit the
company's liability in lawsuits. But the
other partners feared a disaster
declaration could bring in the
National Guard and the
possibility of an armed confrontation.
Extra cops, including 20
Rockland County deputies mounted on
horseback, had already been
brought in. But the governor did not
consider Woodstock an act of
God. He made no declaration.
"We'll play it by ear,"
the governor's spokesman told United Press
International.
Sullivan County residents heard
that the kids up there in Bethel
didn't have enough food. By
Friday afternoon, members of the
Monticello Jewish Community
Center were making sandwiches
with 200 loaves of bread, 40
pounds of cold cuts and two gallons
of pickles. Woodstock Ventures
estimated that it needed donations
of 750,000 sandwiches. Food was
being airlifted in from as far
away as Newburgh's Stewart Air
Force Base.
Day One of Woodstock was
supposed to be the day for the folkies.
Joan Baez was the headliner,
preceded by a bill that included Tim
Hardin, Arlo Gutherie,
Sweetwater, the Incredible String Band,
Ravi Shankar, Bert Sommer and
Melanie. One rock act, Sly and
the Family Stone was added for a
little taste of the rock'n'roll of
the weekend. The scheduled
starting time was 4pm. The
performers were spread around in
Holiday Inns or Howard
Johnsons miles from the site.
Because of the traffic jam, the
promoters were frantically
contracting for helicopters to shuttle in
the performers and supplies. But
the helicopters were late. A
four-seater finally arrived
after 4pm; it could handle only single
acts. Lang had two choices:
Hardin, who was drifting around
backstage stoned, or Richie
Havens, who looked ready. "It was,
'Who could get setup the
quickest?'" Lang said. "And I went with
Richie Havens." Three days
of music started at 5:07pm Eastern
Daylight Time on August 15, 1969.
Every time Richie Havens tried
to quit playing, he had to keep on.
The other acts hadn't arrived.
Finally, after Havens had played for
nearly three hours - improvising
his last song "Freedom" - a large
U.S. Army helicopter landed with
musical reinforcements. An
Army helicopter? "Yes,"
said Havens. "It was the only helicopter
available. If it wasn't for the
U.S. Army, Woodstock might not
have happened." The U.S.
Army saved the day for a crowd that
was, for the most part,
anti-war? "We were never anti-soldier,"
said Havens. "We were just
against the war."
Cash in hand, Art Vassmer
floated in his boat across White Lake
to the Sullivan County National
Bank. He was the only bank
customer that day. Vassmer
feared robbers would take all the
money the store was raking in
from the sale of beer, soda, and
peanut butter and jelly. But
Vassmer's worries were groundless.
"The Hog Farmers kept the
peace," he said. "They were dirty, but
they were nice. A few were happy
on drugs, but hell, that was
nothing." Vassmer raised
only one price in his whole store. Beer
was $2 a six-pack instead of
$1.95. "Got tired of making change,"
said Vassmer, who even cashed a
couple dozen checks for some
kids who ran out of money. Not
one bounced.
While the helicopters whirled to
Yasgur's farm, Melanie sat in the
motel lobby talking to her mom.
When it was her turn to fly, her
mother wasn't allowed with her -
even though Melanie argued,
"But she's my mom."
Mrs. Safka drove back to New Jersey.
Melanie flew to Bethel.
Bert Feldman, the town
historian, was suddenly Woodstock's
censor. His job was to keep
frontal nudity from appearing on
national television. He stood
between the swimming hole and the
television cameras, reminding
folks to cover up. Afternoon
temperatures were in the
mid-80s. "They had to have one or two
garments on, depending on
sex," Feldman said. "Lemme tell you,
after five minutes, it was work.
You never saw a fight in there. You
could argue, of course, that it
was because everyone was stoned."
Other acts still weren't ready.
Stage organizers knew they had to
kill time. The Woodstock Nation
might get restless if the music
stopped. Emcee Chip Monck
grabbed Country Joe McDonald,
strapped an acoustic guitar on
him and thrust him on stage.
McDonald's short set included
the unprintable and improvised
"Fish Cheer" and
"I-Feel-Like-I'm-Fixin'-To-Die Rag". After
Country Joe, Monck spotted John
Sebastian, the former lead
singer and guitarist for the
Lovin' Spoonful. Sebastian, clad in
wild tie-dye, was tripping on
some unidentified substance. He
hadn't even been invited to
perform at the festival. He recalls he
was "too whacked to say
no." Sebastian's stage rap was nearly a
parody of hippie conversation,
mostly because of his psychedelic
state. But the crowd roared with
approval. "Just love everybody
around ya' and clean up a little
garbage on your way
out," Sebastian told the crowd.
Melanie Safka was such a nobody
that she didn't even have a
performer's pass. So when it was
time for her to go on, she had to
prove who she was by showing her
driver's license and singing
"Beautiful People."
She was led backstage to her "dressing
room," which was actually a
tepee-sized tent. When she realized
that she would be playing for a
crowd about the size of Boston,
she got so scared that she
developed a nervous cough that
"sounded like a chain
saw." It was so loud that someone in the
next tent sent her a cup of
soothing tea. That neighbor was Joan
Baez.
The film crew didn't have even
close to enough film to shoot all
the rock performances at
Woodstock. So Wadleigh tried to make
up for it by getting performers'
song lists and the order in which
they were going to sing them.
Wadleigh wanted to film the
anti-war songs, the songs that
talked about the rifts in society and
overlook the love songs. But
musicians were getting stoned
backstage. By the time they got
on stage, they broke with song
orders and played whatever came
to them. Here's why the cameras
never recorded the first two
letters of the "Fish Cheer." Wadleigh
was manning the onstage front
and center camera. When Country
Joe McDonald came out yelling
" Gimme an F," revving the
crowd with anti-Vietnam cheers,
Wadleight was loading his camera
and fixing a minor jam. "I
was just scrambling like crazy to get
my camera in some kind of
working order," Wadleigh said.
"That's why you don't see
him for the first two minutes or so in
the film. You just hear him. I
got him on camera eventually.
Someone should give him an award
for that song. That is one of
the greatest war songs there is."
Havens flew back to Liberty on
the chopper. Then he hopped into
his car and drove back to Newark
International Airport, where he
caught a plane for another show
in Michigan the next night.
Havens says the car ride to New
Jersey was almost as incredible as
the helicopter trip to the
festival. "I was the only person on the
New York Thruway going
south," Havens said.
Of all the acts on Friday night,
Woodstock's producers were
worried only about Sly and the
Family Stone. The rocking soul
band had a tendency to fire up
small crowds, inviting people to
rush the stage. With a couple
hundred thousand people, Sly and
his band could ignite a riot. So
Kornfeld cleared the pit in front of
the stage to give security a
fighting chance. Then he and his wife,
Linda, climbed down, all alone
into the vast chasm between the
musicians on stage and
Woodstock's horde. "He was singing,
'I want to take you high-er!'
and everyone lit up. All those lights in
the crowd, thousands of
them," Kornfeld said. "We were right
between Sly and the crowd.
The sprinkles began around
midnight as sitarist Ravi Shankar was
playing. Bert Sommer's angelic
voice won him a standing ovation.
By the time Joan Baez finished
"We Shall Overcome," a warm
thunderstorm was pounding
Yasgur's farm. In the space of about
three hours, five inches of rain fell.
The ration ticket read "Food
for Love." But 25 year old Georgeie
Sievers of Toronto, who had been
visiting family in Port Jervis,
paid a price anyway. "We
waited for an hour, and we got a cold
hot dog on a hamburger bun,"
she recalled. Food for Love was the
original food concession for
those inside the festival.
Campgrounds coordinator
Goldstein had set up two food
operations: Food for Love, for
those who had tickets, and the Free
Kitchen for those outside the
festival fence. Food for Love was
plagued by a lack of
organization from the outset. The voucher
system was cumbersome, and the
young food workers started
giving away hot dogs and
hamburgers in the spirit of the event. In
addition, the massive traffic
jam had blocked deliveries.
A Food for Love truck was stuck
in the traffic in front of Abe
Wagner's house, about five miles
northeast of the festival site.
Then the truck was raided.
"One of the kids got in, and then they
started throwing the food out
all over the road, the bread, the hot
dogs," Wagner said. Later,
when hungry customers overran the
booths, Food for Love
disintegrated. "It started to rain, and it got
ugly," said Helen Graham,
who at 41 was one of the senior
employees of Food for Love.
"It was 2am, and I yelled, 'Joan Baez
is on. Joan Baez is on.' I
wanted to get the teen-agers away from
the stand. They just wanted to
stare at me. Mrs. Graham found
herself trapped on Yasgur's farm
because her car was blocked in.
She wanted out of the Woodstock
Nation. "It wasn't my type of
culture. It wasn't my type of
upbringing. It wasn't my type of
experience." she said.
"I kind of blotted it out from my head. It
was a frightening experience. I
didn't see the love and the peace. I
saw an overwhelming crowd, and I
didn't understand what was
going on."
The stream behind Gery Krewson's
tent was rising. The music
stopped, and the group bailed
out at 3am to dig a trench. "The
water was just running down in
torrents," he said. With the turf
torn away, the Woodstock site is
red clay and rocks brought down
by glaciers millions of years
ago. Within seconds of the rain, the
festival became a slippery
quagmire punctuated by puddles. The
rain slammed into Yasgur's farm,
drenching the fans, including 19
people who jammed into Krewson's
tent seeking shelter from the
storm. "When I got there,
things at least had some semblance of
order," Krewson said. From
the instant the storm blew in, he
recalled, there was no order, no
security, no sense of what was
happening or who was in charge.
Melanie Safka faced complete
terror: half a million people in a
driving rainstorm. "It was
the only out-of-body experience of my
life," she said. "I
just watched myself on stage singing the songs,
but I wasn't there." And
then, as the rain tumbled down, tens of
thousands of fans lit candles in
the darkness. Sixteen-year-old
Gery Krewson, his brother and
three friends camped 50 yards
from the stage. They'd arrived
Wednesday night from
Tunkhannock, Pa., in a
psychedelic van. But their campsite
seemed to be receding in the
distance. A sea of people was rolling
into the gap. "The word
kind of got out that something was going
on in the Catskills, "
Krewson said.
Mary Sanderson stepped aboard
the helicopter at dawn Saturday.
The chopper blades slapped the
air, and the pavement of the
Orange County Airport fell away.
The copter soared toward Bethel
in a battering hailstorm. Just
before it arrived, sunshine shot
through a hole in the clouds. To
the 40 year old nurse from
Middletown, it looked like a
scene from a biblical epic. "When
you are in a helicopter, the
sun's rays come down on 500,000
people. It looks like the
multitudes," Mrs. Sanderson said. "You
just can't picture that. You
don't realize how all the people looked
in that sun." Mrs.
Sanderson had been scheduled to drive to the
festival to work Saturday's
night shift. But the Woodstock
organizers had called her late
Friday. They said the festival had
been swamped with emergency
cases. Ventures would send a
helicopter for her and any other
nurse she could recruit.
When she arrived, Dr. William
Abruzzi of Wappingers Falls, the
festival's medical director,
immediately put her in charge of the
newly erected medical tent.
Outside, one man was selling his own
brand of medicine. "He was
yelling, 'Mescaline! One dollar!
Mescaline! One dollar!' All day
long, " Nurse Sanderson said.